Sunday, 18 January 2015

Down and Out: Preview the script!

We're releasing some exclusive excerpts of the script! In the hope of building up the project we're releasing these extracts to give you a flavour of the script we've currently got under lock and key.

Prologue:
 (As the audience enters, Freya lies in the centre of the stage which is surrounded by the fairy lights. ' I try' by Macy Gray plays in the background. When audience is in Freya stands on a small box. She jumps off it)
Freya: At the age of 5 I always used to enjoy jumping off a box. That little moment between the box and the ground always made me feel like (She does it again) I could fly. But I didn't know that 14 years later, that box would be a lot bigger. And I'd be flying a lot longer.
(Fairy lights off, projection on the back makes it look as though the camera is falling down a building. In a spot Harvey stands there looking up, silent scream, black out. Fairy lights again, this time Freya lies down on the floor again)
Freya: At the age of 7 I had my first kiss... Timothy Freeman. He was dreamy at the time, although not so much now. That was my first experience of well... love. Not that it's really love at the age of 7 but... well you know what I mean, it's the closest I came to something like it. At 13 I met Billy. Now he was and still is very cute... but he had, other interests let's say. 14,15,16,17 even 18 boys came and went. I got very close to a few but...things got in the way. I blame myself for those not going anywhere. Then I met Harvey. (Pause) Dammit is it that time already! (She stands, fairy lights go off and stage lighting comes on. She rushes off stage a moment then returns. She approaches center stage front and stands there a moment. She looks at the audience intently. She turns and runs her hand up her arm. She plays about with her hair and a bobble, trying different styles whilst look consistently at the audience as she does so. She eventually leaves her hair down straight and walks towards the back of the stage and behind a screen, to change quickly from her current outfit into a black dress. She comes out from the screen adjusting the dress on herself, she once again goes to front and center looking directly at the audience. She continues to adjust the dress)
Freya: How Audrey Hepburn made this work I'll never know
(She finishes adjusting the dress. She gets a make-up bag from the side of the stage, and stands back in her central position. She leans towards the audience slightly as she does her eyelashes. She then puts the make-up away and places the bag on the floor next to her. She stares a moment at the audience, as though she wants to say something. She tugs at the dress some more. She adjusts her hair again, placing it over her shoulders more, bringing it to the front of her body. She stares at the audience once more. Pause. She reaches down into the bag, and pulls out a small pair of scissors. She opens them so that they are fully spread. She makes a cut in her upper arm.)
Freya: Your make-up’s all wrong
(She cuts again)
Freya: And you’ve got too much meat on you for this dress…I mean look at those calves (She does, shakes her leg) wobble wobble wobble. You eat far too much.
(She cuts again)
Freya: I am nothing… special. (Lights blink) It’s all my fault. (Lights blink) You look god awful.
(She drops the scissors. She continues to look at the audience.)
Freya: And look what you've done now. You idiot, that’ll stain the carpet if you’re not careful. And your arm… Good job you planned to wear that cardigan. You idiot.
(She kneels to pick up a roll of tissue at her feet, she hurriedly tries to get the paper off the roll and press it to her wound. Once she is holding the paper over where she has cut, she falls over from her knees onto her side. She lies there a moment, then the lights fade to make Freya a silhouette. Montage begins)

Montage: (Projected on the screen behind where Freya is still on the floor, is the title ‘A time when I was happy’. This then starts a series of clips from Freya’s childhood, pictures and old looking videos, of a smiling young girl, starting school, colouring in, usual child like things. In between these a blurred male face starts to flash, timed with the sound of breaking glass. Lights go down.)

Scene 1:
 (A table lit with some candles is in center stage. Enter Harvey and Freya who are seated by a waiter. They sit for a moment looking at the menu. Silence)  
Harvey: (After a while) I'm glad we're doing this
Freya: Yeah... me too
Harvey: Just, I'm glad we both realised we li...
Freya: You don't have to keep going on about it. We're here, I'm glad, let's talk about something else
Harvey: Okay...
(Pause)
Freya: They've not given me a spoon, can I have yours?
Harvey: Asking me for a spoon on a first date eh? Bit soon
Freya: Calm down boy
(Pause)
Harvey: Good day then?
Freya: It was…eventful
Harvey: Good. That makes it a good day I suppose?
Freya: Yeah I guess
(Pause, they continue to search their menus for a conversation starter)
Harvey: Done much?
Freya: Not really. Just stayed around at home really
Harvey: Sounds nice to me
Freya: Yeah it was okay
Harvey: Well I had an eventful day. Lots happening.
Freya: Oh right?
Harvey: Yeah
Freya: How exciting it was for some of us
Harvey: I guess so
(Pause)
Harvey: What’s the matter?
Freya: Nothing
Harvey: Is it my restaurant choice?  
Freya: No, no, it’s nice. Italian’s a good choice. Love Italian.
Harvey: Well it’s funny you should say that. You see, I was reading a story on BBC at work today. ‘Bout a kid in world war 2. Hid in an Italian, just like this one actually, during the blitz.
(Lights notably change and the two climb under the table, the sound of bombing can be heard)
Harvey: Did mother get in the shelter alright?
Freya: I don't know she went to fetch poor Mrs tibbles. Oh why did we buy a cat!
Harvey: It's okay. Mother will be in the shelter soon!
Freya: Oh I'm so very worried about her!
(Waiter places the wine on the table with a cough, lights change back, Harvey pops his head out the top)
Harvey: Um...wine 's here Freya
Freya: (Popping her head up) Oh. Yeah
(She sits back in her chair. Sustained awkward pause. As they both sit again, in silence)
Harvey: Is there someone else? 'Cause if there is please just tell me now so I know
Freya: No it's not that
Harvey: Then what Freya? because right now I don't really feel like you want to be with me all that much
Freya: Look there...there is something I need to tell you
Harvey: Oh no...
Freya: It's not that there's someone else but...
Harvey: Yes...
Freya: I... (Very quickly) self-harm
Harvey: Pardon?
Freya: I... self-harm
Harvey: Just...one more time please
Freya: I... well I...
 (She pulls her sleeve up and shows him, letting out a sigh)
Harvey: (Pushing her hand under the table and looking) Bloody hell Freya, why have you never showed me these?
Freya: What’s the point? It’s my problem not yours. I need you to know what you're getting into Besides that’s just my…release…helps me forget about it. It’s not a symptom after all so why bother. It’s not your problem. Plus I only made these today.
Harvey: Well if we’re a couple then now it’s our problem
Freya: (Taking her arm from him and pulling down the sleeve) Forget I mentioned it. You don’t need to worry about it
Harvey: After seeing that? How can I not?
Waiter: More wine sir? 
Harvey: Red please. Make it two. (Thinks) Actually do you do Rum? I need a strong drink
(Waiter nods)
Harvey: A wine for the lady and a double rum for me please
 (Waiter goes)
Freya: Look, it’s nothing. Honest
Harvey: Yes nothing’s exactly what those big red lines crudely etched across your wrist looked like
Freya: I’m fine. Leave it.
Harvey: Clearly not. They weren’t even perfectly straight
(Pause)
Harvey: Sorry I shouldn’t criticize like that. Are they anywhere else?
Freya: Not at the minute
Harvey: Good.
(Pause)
Harvey: So do you…have some sort of... I don't know, illness I guess it would be?
Freya: Well sort of... depression.... I think
 Harvey: You actually have depression?
Freya: Yes. I think. Well, sorta self diagnosed but…yes…I think so
(Pause)
Harvey: Okay then... I'm not sure what to do now
Freya: Don't do anything 
Harvey: No I need to do something....
Freya: Honestly you don't have t-
Harvey: How do I help you?
Freya: You don’t
Harvey: Don’t say that
Freya: I mean it, leave it
Harvey: But…
Freya: LEAVE IT
(Silence)
I’ve asked you enough times. Be a good boyfriend and do as your told
Harvey: Alright, I just… want to help. I’m concerned it’s only right that I am.
Freya: You’re not the only one who’s concerned or been concerned. You think I’m not concerned, or angry, or sad that I do it? You think no one else who knows is? It happens Harvey
Harvey: It’s just so… out of the blue.
Freya: Look, don’t let it get to you. I’m the one who has to live with it
Harvey: How can I not let it get to me? The girl I can only see beauty in can’t see it in herself? How can I not hate that fact?
Freya: Just…I try to stop it. I do. It’s not as bad as it used to be. (Pause, she looks in his eye) I understand if you want to leave me, you wouldn’t be the first. You’ve lasted more of my moods than most
Harvey: I’ll never go. But promise me something (Takes her hand) Promise me you’ll try to stop completely
Freya: (Pulling her hand away) I can’t do that
Harvey: For me?
Freya: For anyone. It’s a part of me Harvey. The getting down the… harming. It’s become me. It’s how I relieve my anger, my sadness, my pain…. Just like people over-eat, or watch rubbish films, or drink
Harvey: Just try…a little?
(Pause as she thinks)
Freya: (Nodding) A little. I want to, I do. But I’m not sure if I can. Even for you Harvey. I mean if I can’t do it for myself, how can I do it for anyone else?
 Harvey: Well… we can find another way to relieve your anger. Another way to help you.
Freya: I don’t want that. I want you to leave it. And I want you to leave me to it. It’s my choice after all
(Spot as Harvey stands and moves away from the table. He stands alone center. Freya exits.)

Harvey: And thus a little glimmering light turns a darker shade, yet never going out, always there. It just grows darker. (He blows out the candles on the table) But you can ever desert a sinking ship, even if you know it’s empty. 
Scene 3:
(Harvey is on a bench in football kit, drinking water. Brad enters)
Brad: Harvey! My man!
Harvey: (Wincing slightly) Not so loud please Brad, I’m knackered, my senses are all over the place. Late night
Brad: Up late eh? What’s little Harvey been up to then?
Harvey: Up late with the girlfriend 
Brad: Wahe-
Harvey: And not...doing stuff!
Brad: Oh, you’re always so boring man (Grabs a drink and chugs it down. Crushes the cup after) Yeah I heard ‘bout you having a girl, Phil said something
Harvey: Midfield Phil or defence Phil?
Brad: I don't know some guy called Phil
Harvey: Right. Fair enough
Brad: So what’s she like?
Harvey: Oh, you know, she’s really nice
Brad: (Mockingly) Oh, she’s really nice. Pretty face, lovely eyes, heart of a saint, I’m gonna describe everything that matters to a woman and not talk about her...assets, which is what really matters’. Yeah yeah heard that before. Nice arse? (Looks both ways) Well? (Pause, no response from an awkward Harvey) Have you even... done anything with her yet?
Harvey: No. It’s only been three months.
Brad: Ha, only three months. Rough times eh? Or not rather...So up all night with your girl but not doing whatever makes you happy. What were you doing?
Harvey: Talking
Brad: (Fakes being hit by an arrow) Ow! Ow! Kiss of death!... Must have been pretty big thing to talk about it all night. Hey hey. No? Well it usually only takes me half an hour tops to get it over with… and get down to the real stuff
Harvey: I’m sure
Brad: So? What’s up with the girl?
Harvey: Well there’s no point telling you, you’re clearly de-sensitized to anything above the waist
Brad: That’s not true! Still, you’re a pal! Come on, tell me, who knows maybe… I can help?
Harvey: Ha! Likely…(Considers, as they both drink water) Oh alright, well my girlfriend’s just got a few problems is all
Brad: Time of the month?
Harvey: Not specifically 
Brad: So… what is her problem?
Harvey: She…uh… has… you know…that thing….
Brad: Harvey mate, gonna need a little more detail…
Harvey: (Quickly) Depression
(Pause)
Brad: (Begins to walk away) Well I can’t help you man, you’re in way too deep for my expertise, the wrong kind of deep to (Winks and slaps his face gently)
Harvey: So you’re just gonna walk off and leave me to it?
Brad: (Goes right up to him) There is no way this is going to end well. So, I’d say it’d be best for you to end it now, or get her on some happy pills, because otherwise it’s just going to crash and burn. She’s going down and she’ll be taking you with her eventually. Trust me. (Backs away slightly) That is my advice. Move on. (Exits)
Harvey: See you later? ... Well I’ll talk to her about it tomorrow or something… no, tomorrow. Definitely tomorrow.

No comments:

Post a Comment